Films shot on cellphones are not new, but Hassan Fazili's new feature shows just how far this tool can be utilized. While other directors ha...

Servicing a population of nine million people, Mexico City is said to offer fewer than 45 official emergency ambulances. That bafflingly ove...

Good intentions do not a good film make, as is painstakingly clear with the jumbled pastiche of Abe. In its attempts to bring disparate grou...

In Koko-Di Koko-Da, Swedish director Johannes Nyholm (The Giant) explores the disorienting pain of grief via a series of surreal nightmares....

While we're all still tabulating our year-end lists, it's already time to start thinking about 2019 in film. As always, the year onscreen of...

One can't help but wonder what Crystal Moselle's daily commute must be like — it seems like she's perpetually crossing paths with colourful...

There's a reason Degrassi Junior High has stood the test of time for hyper-realistic cringe-watching in a way that Beverley Hills 90210 neve...

Longtime funk musician and activist Boots Riley has never had trouble making a splash — look no further than the Coup's original cover art f...

Over the last decade, Josephine Decker has built a sturdy reputation among cinephiles for her thoughtful body of work. Madeline's Madeline i...

That Sundance overlapped with the first anniversary of Donald Trump's inauguration was not lost on its attendees, nor was the festival's tim...

When Napoleon Dynamite first came out in 2005, the film was understandably beloved for its off-kilter aesthetics and strange, strained dialo...